I participated in a service at my church this evening. The name of the service series is “CRAVE” and it is meant to encourage meditation and prayer about the notion of craving faith, hope and love as a human in God’s world. The minister is trying something new, and something good, I believe. Through some songs, bible readings, and monologues, the service explored the ways in which human relationships can sometimes let us down, but, ultimately, that God can be trusted.
This thinking is very much in line with my increasingly intense desire to explore the meaning, and peril, of narrative in day-to-day life. My own piece in the service was a song I had written years ago about my relationship with my father always feeling unrequited and distant. It’s not unique to me, and historically it has resonated with audiences pretty widely.
But, as an artist at this point in time, I’m losing interest in the narrative except in the most exacting way. That is, I am less interested in twisting a narrative to make a point than in simply telling things as they are, and letting the point be a more organic thing. I think, to a certain extent, I achieved part of that with my song. But, if I had written it more recently, I would have been a bit less preachy and stuck to the simplicity of people’s actions or to a character’s true experience as do my two idols: Tom Waits and Randy Newman. I’m getting better at seeing when I write crap. As a result, and writing songs is harder than it used to be.
Which gets to the part of the service that truly derailed me. It was a film intended to be inspirational from a “new church” kind of preacher named Rob Bell. Apparently, Mr. Bell distributes these video sermons on the Web at nooma.com. Mr. Bell was walking us through a story of taking a walk with his baby son in the rain, and drawing an analogy to when we walk through hard times with God.
This all sounds very nice, but, I had some real issues with both the form of this sermon AND with the nature of the message, and the messenger. I felt kind of bad that I was put off by it because folks were all inspired and crying and stuff, and I was just sitting there wishing my husband was next to me so I could nudge him and suppress laughter at how horrified I know he would have been as well.
First for the form issue. The guy looked like some wan artist from Greenpoint, Brooklyn — the kind of guy that squatted in the early 90s in a DUMBO loft with his painter girlfriend that waited tables while he wrote poetry and read Nietzche.
Okay — I had to strip THAT narrative from my experience of this piece, I guess. I tried. But then, I was put off by the style of it — he was walking into the camera which was backing up with his every step as he walked through I’m sure what was a carefully-chosen industrial area selected for its ultra-hip, countercultural appeal. He had the Ashley Banfield glasses, the skinny body, the — ART-SCHOOL-BLACK-TURTLENECK!!
I felt like I was watching Benny Hinn in a YouTube wrapper.
THERE IT GOES AGAIN!! MY INNER NARRATIVE THAT REACTS TO BAD ART, AND STEREOTYPES THE ARTIST!! Okay, I’m trying to calm down and open up again. Breathe…breathe.
The story begins. He voices over a dramatization about him and his son. It was like the ones on CourtTV where the actors kind of resemble the real people, and you’re not supposed to notice that they are different. He had his baby son in a backpack, and was beginning a walk with him in the woods. He described the moment as one of those perfect moments you’d like to freeze. Okay, I can get that. I’m trying, I’m really trying.
BLACK TURTLENECK!!! MYTHOLOGY-OF-ME-GUY!!!
Calm down, calm down…
The frozen perfect moment is invaded by a drop of rain, and he knows that he and his son have now found themselve in the woods with the rain beginning. He puts the hood on his son (remember…the son is on his back), and, unbeknownst to him, the hood falls off!
Okay, I’m already squirming in my seat. I’m thinking, “Only a GUY would think that you could put a hood on a baby, and keep him exposed on your back, and it would be okay!” Then, I immediately realize, my husband would never do that. He’d do what I would do — he’d take the baby in his arms and run as fast as possible to shelter.
Not this guy. It takes a while for him to realize that the kid is exposed. You know how he realizes? The kid’s crying escalates to a scream. Only at that point does he take the kid in his arms and cover him. He describes this as though he’s saving the kid’s life, a dramatic gesture of epic proportions.
MY GOD!! What a DUFUS!!! It’s got to get that BAD for him to know that the kid, hood or not, is more exposed than is appropriate? And then he thinks he’s doing something heroic?
It gets better. He, of course, winds up comparing this to how God carries us through rough times, and how rough times are an opportunity for us to really connect with God and his ability to carry us when we are weak.
This is a nice message, and if the whole narcissistic style of the video had not grossed me out at this point, I may have gotten it. But, I was really put off by his comparison of himself to God in the narrative. What’s more, I don’t think God would not be looking at me while I was on his back screaming.
I don’t scream to God to get God’s attention. I scream to God to get my own attention, to realize my own smallness, to remind me of how powerful he is, and how his love is accessible if we get out of our own ways. God does not need to be tapped on the shoulder, or screamed at, to know that I am in pain.
Here’s the icing on the cake: He imagines a narrative where his son is in therapy, and confronts his father about the trauma of letting him get wet in the woods. His answer to the son? HE WOULD NOT HAVE TRADED THE OPPORTUNITY FOR ANYTHING IN THE WORLD!! From start to finish, this guy’s experience of this entire thing is so self-centered, so utterly navel-gazing, that he sloughs off the trauma to the kid because, doesn’t the kid realize, his father had a peak experience comparing himself to God, so, shut up already?
I was just grossed out, and the rest of the room was moved. It was one of those moments when I feel like I’m in a different species. I feel, many times, that I have to not notice things in order to get to the space where others are. But, I can’t take sermons posing as art, and Web-based commercials posing as a sermon.
Our minister knows how to give a sermon without making himself the hero of the story. It takes a lot of humility to tell a story and make yourself the fool. It takes wisdom, and he has that wisdom. This guy, on the other hand, came across as a total jackass.
To everyone in the room tonight that enjoyed the film, my apologies. I’m not making fun of you, I’m just sad to see God packaged so poorly when the personal experiences I’ve heard from all of you are more inspiring than Mr. Turtleneck and his personal mythologies. You guys are real, and I love you.

If I am absolutely honest with myself, the answer to the above question would appear to be “never.” But, I don’t say that with some faux self-deprecating humor about perpetual immaturity. Rather, by any measure, I still have not “arrived” at that state of stable grown-up-hood. That’s not exactly what I had planned when I was younger. On the other hand, I’m not sure I really planned for ANYTHING when I was younger. But that’s for another post
Mom, three sheets to the wind at one of my piano recitals at the Dominican Convent in Sparkill, trips in front of a statue of the Infant of Prague. While falling, she exclaims, “Look! He’s all dolled up!”


