Mihiret had her first ballet class today. There’s a lot of history in my sending her for ballet, and none of it hers. As with all things in life, we plan one war with the goals and tactics of the previous one. But, this time, darn it, this time…we’re gonna win!
Mihiret is a girlie-girl who also doubles with a mean right hook. That is, she’s not a tomboy. She’s a girl who takes no baloney from anyone. From the moment she came home, flashy clothing has caught her eye. Sparkly stuff, usually hideous, usually matched with other sparkly stuff. Striped tights and flowered skirts, she really makes an impression.
So, shopping for her ballet clothes, I was torn. I always wanted to take ballet as a kid, but my mother said I wasn’t suited for it (?). Of course, in my mind, she was saying my legs were too fat. But I always dreamed of the pale pink leotard with the pale pink tights and pale pink ribbony shoes. That whole anemic waif thing had appeal for me. That was how I envisioned Mihiret’s ballet outfit.
Target had other ideas. They were all out of the pale pink stuff, and all that was left was Disney princesses and black. Then, there was the hot pink and purple with the rhinestones. So, I stood there going through the rack, knowing that no other store in town carried ballet stuff (no other store I can afford) and having to make a choice. Whatever the choice was, I knew that she would look different from the other girls, but, I had to choose something because her first lesson was just a couple of hours away.
I calculated that Mihiret would probably like the Disney Princess in pale pink, but, I don’t want to brand my kids with Disney clothes other than underwear or pajamas. So, that left the black stuff OR the hot pink or purple with rhinestones. Knowing Mihiret as I do, and the glee she has at anything pink and gaudy, it was the hot pink with the rhinestones. I pictured how she would look at it when I showed it to her, probably thrilled at how tacky it was. I put aside my fears that she would look different from the others. I suspected that my drive to do that was based on MY childhood desire to be the pale pink ballerina. Fate was denying me that option, and I would instead embrace the full Mihiret for who she really was. I’d put her out there, tackiness and all, and just celebrate it.
As I suspected, she was thrilled with it, and ran into the dressing room with me and Blake so she could put it on before the class. Of course, she looked absolutely adorable and gorgeous. Her amazing skin looks beautiful next to a bright, saturated color.
All the other girls wore pale pink. My imagined expression of Mihiret’s Mihiretness became instead an opportunity for her to stick out even more than she already does. I take immense joy in how beautiful she is, and how unique, but as a kid in a new country, maybe she doesn’t enjoy it so much. Maybe she’s just finding her way. So, even as I was enjoying seeing her in her little sparkly dance clothes doing the hokey pokey, I was as anxious as anxious could be about what she might have been feeling amidst all the pale skin and pale clothes. Here I was, wanting to celebrate her desire to be girly, rather than squash it, and maybe she wanted something else.
Which is where I get to the terms of the previous war — my lifetime struggle to define what is feminine, and what is over the top girly. Trying to strike a balance in service to pleasing someone, most likely my Mom.
My first holy communion was one of those awful days that had such promise (especially when you’re 7 and Catholic and it’s 1968). The reason seems dumb in retrospect, but at the time, it was a devastating thing that informed a lot of my body image, self image, sense of being a “pretty” girl, and all that.
The first holy communion, back then (don’t know about these days) was a chance to look like a bride. It was no holds barred lace, crinoline, plastic pearls, matching purse, white rosary beads, all in white, including a bridal veil. The reason for this particular look has never been clear to me, and in retrospect seems borderline pornographic, but that’s for another post. When my turn came after my four older sisters, I could not wait to get that dress and all the plastic accessories.
My mom and I went to her favorite clothing store at the time. It was store called Ohrbach’s, and the clothing was somewhere between a current-day Macy’s and a JC Penneys. To my Jersey City mom, Ohrbach’s was the upper middle road shopping experience. To me, Ohrbach’s meant Mom was going to get me something really nice. After all, we weren’t going to Alexander’s or E.J. Korvettes.
The communion ceremony was to be in the fall, in early October. Those wonderful holy communion dresses were all frilly and light, not at all about warmth. But what little girl would care? We went to Ohrbach’s, to the girls’ department, and I saw the rack of those communion dresses. But, even at the age of 7, I had learned not to assert what I wanted lest I be dismissed or shamed for picking the wrong thing, or being too extravagant. So, I waited for my Mom to rifle through the stuff, hoping she’d pick the frilliest thing imaginable.
It was not to be. My mother picked out a woolen white dress with long sleeves and accordion pleats. Truly, in an adult’s eyes, it was a cute dress. It was well-made, smart, and, most of all to my Mom, PRACTICAL. I’d wear it again. And then, for the shoes, I was eyeing these great white patent leather strapped numbers. Mom picked out black. It was PRACTICAL — those white shoes would never stay clean. We were then to order the veil and the purse from the school, and there were a few choices. For the veil, I wanted the one with the most pearls. Mom picked out the one that was plain and elegant, saying the pearls were “cheesy.” No purse because I wouldn’t need it.
What strikes me in these memories is my silence. I didn’t whine, I didn’t ask for anything other than what I got. I learned that my impulses to have the extras were wrong, that my taste for girly things was cheesy, that the things I wanted were not practical, that I could not make the right choices. I didn’t want to play my hand at wanting the girly things out of fear of being shamed.
This haunts me to this day every time I buy clothing, every time I attempt makeup, every time I buy a pair of earrings. I own very, very little jewelry. I always own a practical, single purse. I have a closet full of tailored separates. For the first few years in AA, I found out that most folks thought I was gay because all I wore were jeans and blazers. This explained, I suppose, why no guys asked me out
So, I want to make girly-girly stuff as on-the-table as the classics. I don’t want to shame Mihiret in any way. Buying her what appeared to be something consistent with her spirit, I was trying really hard to make sure she’d be fully herself, or my idea of what is fully herself. Did I do good?
I could have kept my mouth shut after Mihiret’s class, but I had to know if she was traumatized by looking so different. I had to give her a chance to feel unashamed about expressing how she felt about how she looked.
“Mihiret, you were the prettiest girl in the room and you danced so beautifully. Do you want to wear this outfit next week, or wear what the other girls are wearing?”
“Other girls” was her response, pointing at the pale pink girls leaving the dance floor next to her.
Well, I probably can’t afford that anytime soon, but said we can look together some time when we have some money. Also, I felt a little sad to see that her drive to just be tacky gorgeous, in this context, shifted a bit to wanting to fit in. But I truly understand. Most importantly, I understand that how a little girl looks relative to her peers can be of tremendous importance to her. And with all compassion towards my Mom, having to clothe 8 kids may lead you to make decisions that were more practical than fanciful. And she may have just been too bloody exhausted to affirm my choices with all those other kids to take care of. For my part, I have to strike a balance between wanting to soothe that little girl from 1968, or, 40 years later, do the best I can to give my daughter a voice in how she looks, who she is, and ultimately, the life choices she makes.
Sometimes, the likelihood of a functional, confident adulthood rests on a tacky white plastic Communion purse, or a pale pink leotard. For a child, personal taste and desires are a cypher for deeper impulses to shape their world and their place in it. For Mihiret, in a strange culture with a majority of people who don’t look like her, this meaningful symbol of self that we call “taste” may have more meaning than it ever has for me.